Western Centuries

Free Dirt Records & Pearl Street Warehouse Present

Western Centuries

Vivian Leva & Riley Calcagno, Ticket includes Two Step Dance lesson during the band change over.

Thu · January 18, 2018

Doors: 7:00 pm / Show: 8:00 pm


This event is 21 and over

This show is  G.A.

Seating is limited and first come first serve.

Tables are meant to be shared.

Western Centuries
Western Centuries
When did country music start to sound the same? The first generation of country artists borrowed from everything around them: Appalachian stringband music, Texas fiddle traditions, cowboy songs, Delta blues. In an era of unprecedented access to our musical pasts, shouldn’t country music be even more diverse than it was in its infancy? Honky-tonk supergroup Western Centuries, back with a new album in 2018, surely understands this. They aren’t bound by any dictum to write songs in a modern country, or even a retro country style; instead they’re taking their own personal influences as three very different songwriters and fusing it into a sound that moves beyond the constraints of country. Part of the reason they can make music with this range of influences is because of their roots in city life. Both Cahalen Morrison and Ethan Lawton, two of the three principal songwriters, live in Seattle’s diverse South end, and the third songwriter, Jim Miller, spends most of his time in and around New York City. The urban landscape is rarely mentioned in country music, but it makes for a refreshing sound that draws as easily from modern R&B as it does George Jones. It helps too that the album was recorded and co-produced by acclaimed musician and Grammy-winning producer Joel Savoy in Eunice, Louisiana, where local Cajun and Creole artists have always been adept at marrying old country sounds with R&B and rock n roll.

With Songs from the Deluge, out April 6, 2018 on Free Dirt Records, Western Centuries brings three songwriting voices together into a more unified sound than ever before. Over the past year of heavy touring (since the release of their last album), they’ve pushed each other hard as songwriters. But with a band this well tested on the road, it’s the sonic and lyrical places where each artist’s styles depart that’s most interesting.

Ethan Lawton, known for his earlier work in Zoe Muth and the Lost High Rollers, loves to pen imaginative parables about people living at extremes. "Wild You Run" by Lawton tells the story of watching someone you love deteriorate with a crippling addiction. The subject chases his temptation, but loses his soul as Lawton cries out helplessly "I won't tell mama what you done, go have your fun....” Lawton's "My Own Private Honky Tonk" is a rambunctious new take on the drinkin' alone narrative which finds Lawton dancing and playing music until the downstairs neighbors call. It's a boogie-woogie flavored tune à la Fats Domino that highlights the upright bass work of Nokosee Fields, the band's newest member. With the opening track, “Far From Home,” Lawton wails "mother, dear mother, won't you spin a yarn about the way things were.” It's about the dark days that young men found abroad in Vietnam and the personal wars they had to fight when they returned back home.

Cahalen Morrison, known for his earlier duo work with Eli West, is the country boy to Lawton's urban cowboy, inspired by his love for cowboy poetry and the New Mexican desert where he grew up. He's got a knack for bending words around stories until they're as funny as they are tragic, as fantastic as they are real. His songs grow like mesquite in the desert; they twist and turn. On "Earthly Justice," Morrison sings of barflys and their troubles, remarking sardonically "if earthly justice just don't get them in the end, there's always a heavenly trial on its way" as vocal harmonies and pedal steel two step all around him. On Morrison’s album closer "Warm Guns,” he waxes quixotic about loss in love, singing in Spanish about being a victim of his own flaws.

Jim Miller, known for his earlier work with Donna the Buffalo, is the resident psychedelic poet. Like the best country songwriters, Miller's sense of communion with nature turns his songs into works of magical realism. On "Wild Birds", a song about a road-bound band, he consults the moss, befriends the tide, and survives fire all while asking for prayers to guide his band home to the end of their migration. "Borrow Time" features Louisiana accordion legend Roddie Romero, and the album's best harmonies between the three lead singers. Some of his most beautiful lines happen on "Time Does The Rest" as he sings "Your heart knows what’s best / Hold her close, the lips will confess / Let it rise let it fall, time does the rest".

Western Centuries’ music crosses vastly differing geographies–the city, the southwest, the metaphysical. And their musical influences are equally as diverse. Together, they weave a tapestry of western music, without sacrificing their hard-earned country dancehall sound. Songs from the Deluge will levitate heavy hearts, turn spilled beer into ballads, and bring country music home as literate, epic odysseys from parts unknown.
Vivian Leva & Riley Calcagno
Vivian Leva & Riley Calcagno
Vivian Leva and Riley Calcagno are tapping into the deepest parts of American music, taking old songs that have seldom been heard and presenting them next to their own timeless and visceral originals. When they are not performing as duo, they’re often found sitting knee to knee, playing under the canopy of trees at fiddle festivals across the country, such as the gathering where they met in June of 2016. Across any campground, or concert venue, the echos of their vibrant and magnetic harmonies ring out.
Leva, of Lexington, Virginia grew up playing and performing with her parents, Carol Elizabeth Jones and James Leva, learning traditional songs from their sources and honing her rhythmic guitar style. This past June, Vivian recorded her debut album in close collaboration with Calcagno during an inspired session at Studio 808A in the small town of Floyd, VA. She will be releasing a debut solo album of original music in late winter 2018 on a soon to-be announced record label.
Riley, of Seattle, WA spent his earlier years playing with the widely recognized band The Onlies, described as “masterful” and “deliciously well-crafted” (Kithfolk) and developing his own distinct authenticity on the fiddle and banjo.
Together, Vivian and Riley have toured across the country, in living rooms and concert halls. As individuals, they have shared the stages with and played, both nationally and internationally, in the bands of Elvis Costello, Rhiannon Giddens, The Lost Tribe Of Country Music, and Bruce Molsky to name just a few. To this collaboration they bring both the steady hands of experience and a refined taste for American music, yet still a youthful abandon that can’t be forced. In 2018, they will be on tour internationally to support Vivian’s new release and bring their distinct brand of old-time and country to a festival, hall, bar, or fireplace gathering near you.
Venue Information:
Pearl Street Warehouse
33 Pearl St SW
Washington, DC, 20024